Kurdish artists under pressure in Turkey

 
 
Plus: ska, skinheads and 2 Tone
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A climate of fear and repression
 
A climate of fear and repression
For Kurdish artists in Turkey, simply making work is a political act, writes Jennifer Hattam
 

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Why 2 Tone was never just about the music
 
Why 2 Tone was never just about the music
The ska-inspired label became a defining moment in British culture, writes Tim Smith-Laing
 

Hermann Historica

 
The frozen dinners of Daniel Spoerri
 
The frozen dinners of Daniel Spoerri
For Thomas Marks, the Swiss artist's tableaux of tables capture the joys of dining in good company
 

 
In the studio with… Chantal Joffe
 
In the studio with… Chantal Joffe
Everyone is welcome in the painter's studio – except Boris Johnson
 

 
Scents and sensibility
 
Scents and sensibility
Jon Day sniffs out the connections between the visual arts and smell over the centuries
 

Hermann Historica

 
In the current issue…
 
Frances Spalding on Michael Ayrton, forgotten giant
 
Frances Spalding on Michael Ayrton, forgotten giant
Why is Ayrton nowadays largely overlooked, or remembered almost exclusively for his sculptures of minotaurs? Is it because he kept himself apart from artists' groups after his neo-romantic period? Is it because his sculpture boldly differed from the path that others, such as his friend Henry Moore, had established? Is his reputation damaged by his range and by the British distrust of polymaths?… Read the full article
 

 
In the next issue…
 
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