Preview the October issue of Apollo – on sale now
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| Get more great writing every day – from just £1 a week |
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| INSIDE THE ISSUE | ||
| FEATURES | Tom Stammers on Berthe Weill, the art dealer who launched Picasso; Nandini Das on the Mughal artists who forged an entirely new artistic tradition; the artist Liliane Lijn talks to Fatema Ahmed about myth, matter and materials; Carolyn Christov-Bakargiev discusses an Arte Povera masterpiece by Michelangelo Pistoletto; and Catherine Bennett considers the plight of the Pompidou, as it prepares to close for five years of renovations | ||
| REVIEWS | Emily Cox goes back to the beginning of Impressionism; Frances Spalding on what Cedric Morris and Arthur Lett-Haines did for British art; Martin Herbert on the abstract paintings of Mark Bradford in Berlin; James Purdon on when the Cold War came to Scotland; Susan Moore on an insider account of the post-war London art market; and Christina J. Faraday is impressed by the art of printmaking | ||
| MARKET | Isabella Smith looks forward to Art Basel Paris; Jane Morris asks where the next generation of collectors will come from; Emma Crichton-Miller assesses the popularity of abstract British art; and Edward Behrens on the craft required to make an art fair | ||
| PLUS | Sarah Moss on her teenage fascination with a Pre-Raphaelite masterpiece; Hettie Judah meets the many faces of Mary Magdalene; Alison Cole on a new era for the Warburg Institute; Joanna Kavenna on religious art by a Norwegian agnostic; Arjun Sajip visits Lypiatt Park, home of the sculptor Lynn Chadwick; Molly Pepper Steemson celebrates great plates designed by artists; and Christina Makris toasts Campari's rich photographic archive | ||
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| HIGHLIGHTS FROM THE NEW ISSUE |
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| The dealer who launched Picasso |
| Tom Stammers on Berthe Weill, who helped make Paris the centre of modernism |
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| The Warburg makes its mysteries more public |
| Alison Cole welcomes the expansion of the esoteric London institution |
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| The call of the wild |
| Sarah Moss considers the dangerous beauty of Waterhouse's Hylas and the Nymphs |
| More from Apollo | ||
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