Preview the September issue of Apollo – on sale now

 
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INSIDE THE ISSUE
 
FEATURES | Sophie Barling on a new golden age of discovery at Pompeii; Robert Hanks celebrates the surreal films of Jan Švankmajer; Eve M. Kahn talks to two young collectors obsessed with Old Master drawings; Christopher Turner visits a museum dedicated to the victims of a mysterious Italian plane crash; Pierre Curie tries to fathom the meaning of an allegorical painting; and Douglas Murphy wonders if the Glasgow School of Art will ever be rebuilt
 
REVIEWS | Nicole Rudick on the self-determination of Paula Modersohn-Becker; Mary Wellesley on the intensely felt art of Elisabeth Frink; Tom Walker on the painter who was at the forefront of Ireland's cultural revival; Michael Prodger on an alternative history of drawing through the ages; Kirsten Tambling on the fragility of art in 18th-century France; and Claudia Tobin on the unconventional wisdom of Eileen Agar
 
MARKET | Isabella Smith previews Florence's finest art and antiques fair; Jane Morris considers the effects of political turbulence in France; and Emma Crichton-Miller looks at the thrilling qualities of baroque paintings from Naples
 
PLUS | Jonathan Lethem remembers meeting a featherbrained friend; Hettie Judah hails the cat ladies of contemporary art; Edwin Heathcote considers the cult appeal of Carlo Scarpa's architecture; the restaurateur Sally Clarke talks to Edward Behrens about cooking for Lucian Freud; Christina Makris visits an Andalusian winery pairing sherry with Spanish paintings; and, for this year's 40 Under 40, Apollo presents the most talented artists, thinkers, patrons and collectors who are reshaping the world of craft
 

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HIGHLIGHTS FROM THE NEW ISSUE
 
Bringing Pompeii back to life
 
Bringing Pompeii back to life
Sophie Barling on the stunning new discoveries being made in the ancient city
 

The cat ladies of contemporary art
 
The cat ladies of contemporary art
Hettie Judah on the sacred bond between women and their pets
 

 
Perishable goods
 
Perishable goods
Kirsten Tambling on the fragile and fleeting business of art in 18th-century France
 

 
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