Is the Uffizi cueing up a problem?

 
 
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Need to see

 
Edvard Munch Portraits
 
Edvard Munch Portraits
National Portrait Gallery, London | 13 March–15 June
Though often thought of as a shy character, Munch painted a wide network of friends and peers
 


 
100 Ideas of Happiness: Art Treasures from Korea
 
100 Ideas of Happiness: Art Treasures from Korea
Residenzschloss, Dresden | 15 March–10 August
Korean art has a special relationship with contentment, as a display in Germany shows
 

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Steina: Playback
 
Steina: Playback
Buffalo AKG Art Museum | 14 March–30 June
The video artist was a key member of the New York avant-garde in the 1970s and '80s
 

 
A World of Water
 
A World of Water
Sainsbury Centre, Norwich | 15 March–3 August
Charting the changing currents in how artists have depicted the oceans and seas
 

 
Need to know

 
Ricardo Scofidio has died at the age of 89 | Bernd Ebert has been appointed director of the Dresden State Art Collections | George Lucas is taking over responsibility for everything you see at the Lucas Museum | a Brueghel painting stolen from Poland 50 years ago has been found in a Dutch museum
 
Ricardo Scofidio has died at the age of 89 | Bernd Ebert has been appointed director of the Dresden State Art Collections | George Lucas is taking over responsibility for everything you see at the Lucas Museum | a Brueghel painting stolen from Poland 50 years ago has been found in a Dutch museum
 

 
In the know

 
Is the Uffizi cueing up a problem?
 
Is the Uffizi cueing up a problem?
 

 

 
The Jamaican sculptor Edna Manley, who was born 125 years ago this week, worked primarily with woods native to her home country, including yakka, mahogany and juniper cedar. Manley's preference for local materials reflected her deep connection to Jamaica's cultural identity and landscape. She understood how the wood's natural properties – its grain, colour and density – could become integral to the artwork's meaning. This week we explore four works that demonstrate the enduring appeal of wood   as a sculptural medium. This is part of our 'Four things to see' series that offers you a new way into some of the world's greatest collections, sponsored by Bloomberg Connects: the free arts and culture app.
 
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In the know
 
Joseph Nicéphore Niépce, who was born 260 years ago this week, created the first known photograph in around 1826: an image of his courtyard that required an eight-hour-long exposure. From these painstaking beginnings, photography rapidly evolved thanks to a series of innovations, from Louis Daguerre's daguerreotypes to William Henry Fox Talbot's calotype technique and, eventually, the democratisation of image-making through Kodak's consumer cameras. Here we explore four works that speak to photography's evolution from ambitious experiment to ubiquitous medium. This is part of our 'Four things to see' series that offers you a new way into some of the world's greatest collections, sponsored by Bloomberg Connects: the free arts and culture app.
 

 
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