Art market: Sculpture shows some muscle

 
 
 
 
 
With the summer break very much on the mind of most people working in the art world, the final auctions of the season at Christie’s and Sotheby’s offered a welcome burst of good news, allowing everyone to head to Hydra and Ibiza with a smile on their face. Yet even with the headlines looking promising, there are still signs that the market is not completely out of the woods.

This month, Anna Brady reports on the Classic auctions in London and finds that, notwithstanding the record prices, there are still some snakes in the grass. Emma Crichton-Miller looks into the wider context of 19th-century British bronzes and their renewed popularity, while Jane Morris says howdy to depictions of the Wild West. And ahead of the annual art fair Parcours des Mondes in Paris in September, Apollo examines the market for African classical sculpture.
 

 
Muscling in
 
Muscling in
 
Strong results at auction delivered a welcome boost to the Old Master market, but do the records belie a systemic weakness in the category?
 
By Anna Brady
 
 
Forging ahead
 
Forging ahead
 
Artists developed a new modern style with bronze sculpture in the 19th century. The results show that there is more to British sculpture than Henry Moore, and it’s an area collectors are increasingly paying attention to.
 
By Emma Crichton-Miller
 
 
Go West
 
Go West
 
‘Cowboy’ art is often overlooked by the art world, but it’s a uniquely American phenomenon for which there is something of a bull market.
 
By Jane Morris
 
 
Fang-tastic
 
Fang-tastic
 
Classical African art continues to command dizzying prices despite the complexities around provenance.
 
By Emma Crichton-Miller
 

 
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