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INSIDE THE ISSUE | ||
FEATURES | Tom Calvocoressi on why everyone loves Keith Haring; Adriano Pedrosa talks to Jane Morris about curating the largest ever Venice Biennale; Isabella Smith on the unstoppable rise of 'immersive art'; Christien Melzer explains how a Dutch artist's drawings kicked off a craze for Rome among his 16th-century peers; Kapwani Kiwanga talks to Edward Behrens about the pleasures of getting lost in her investigations of history and power | ||
REVIEWS | Robert Barry on the daring experiments of Yoko Ono; Digby Warde-Aldam on a crash-course in Lacanian thought in Paris; Eve M. Kahn on the irrepressible energy of Sonia Delaunay; Catherine Slessor on Gavin Stamp's monumental survey of British architecture between the wars; Robert Hanks on the first new biography of Stanley Kubrick in years; Matthew Kerr on the quandaries posed by Gauguin's Polynesian paintings | ||
MARKET | Isabella Smith on what to expect at EXPO Chicago this year; Jane Morris asks how public exhibitions are really funded; Emma Crichton-Miller on the surprisingly solid market for the Italian Spatialists | ||
PLUS | Apollo's pick of what to see in Venice beyond the Biennale; Hettie Judah asks why fatherhood has been so under-represented in art; Will Wiles rises to the giddy heights of London's BT Tower; Keith Miller on how a 16th-century painting of a hungry peasant raises chewy questions about class and status; Christina Makris on the monks who have got drunk in art; Joanna Kavenna on how Munch and Ibsen haunted each other's work | ||
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HIGHLIGHTS FROM THE NEW ISSUE |
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Table manners |
Keith Miller on Annibale Carracci's painting of a hungry peasant |
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Woman in a hurry |
Eve M. Kahn on the restless efforts of Sonia Delaunay, who never slowed down |
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How are public exhibitions really funded? |
Jane Morris on the private interests propping up high-profile events |
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