Preview the May issue of Apollo – on sale now
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| Get more great writing every day – from just £1 a week |
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| INSIDE THE ISSUE | ||
| FEATURES | Michael Prodger takes in the new arrangements at London's National Gallery; Caroline Walker talks to Samuel Reilly about her intimate paintings of women at home and at work; Helen Stoilas finds sculpture on a grand scale at the Storm King Art Center; Alexandra Libby follows the career arc of Jan van Kessel; and Robert Macfarlane is fascinated by a watery bronze figure | ||
| REVIEWS | Tim Smith-Laing is awed by the monumental art of Anselm Kiefer; Rachel Hunter Himes considers chinoiserie through a feminist lens; Irina Dumitrescu is dazzled by high fashion at the Louvre; Matthew Kerr looks at the changing Mexican scenery captured by José María Velasco; and Tom Stammers reads a modern classic about ancient sculpture | ||
| MARKET | Jane Morris asks whether single-owner sales can save the auction season; Emma Crichton-Miller looks past AbEx to see earlier American modernists more clearly; Isabella Smith selects highlights from TEFAF New York; and Michael Delgado on how Frieze New York still packs a punch | ||
| PLUS | Hettie Judah on how Suzanne Valadon went from being a model to painting them; Robert Barry enjoys surround-sound art at a former monastery in Portugal; Claudia Tobin visits the Sussex retreat where Virginia Woolf worked on Mrs Dalloway; in Salzburg, Sophie Barling finds a city still alive with The Sound of Music; Stephen Patience admires the art deco cinemas of George Coles; Edward Behrens sticks up for national treasures; Christina Makris looks at the drink on offer in Duccio's Maestà; and Killian Fox explains how New Nordic Cuisine went global | ||
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| HIGHLIGHTS FROM THE NEW ISSUE |
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| The softer side of Anselm Kiefer |
| Tim Smith-Laing finds some surprises among the painter's more monumental works |
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| Great walls |
| Michael Prodger gets used to the complete rehang of the National Gallery in London |
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| A day in the life |
| Claudia Tobin visits the Sussex house where Virginia Woolf worked on Mrs Dalloway |
| More from Apollo | ||
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Jolly guy's laugh is so contagious that even chickens had to join in
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Kid draws a hilarious family portrait, featuring his mother on her period
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