Preview the November issue of Apollo – on sale now
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| Get more great writing every day – from just £1 a week ͏ |
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| INSIDE THE ISSUE | ||
| FEATURES | Rachel Hunter Himes welcomes the long-awaited reopening of the Studio Museum in Harlem; Susan Owens explores John Constable's practical understanding of farming; Edward Behrens visits the Musée d'Ennery, a hidden gem of East Asian art in Paris; William Dunbar celebrates the modernist architecture of Armenia's capital, Yerevan; Nicole Ioffredi looks at a ceremonial sword from Lucknow; and Mary Keen is tempted by Samuel Palmer's Edenic vision of his garden in Kent | ||
| REVIEWS | Luke Uglow hails Michaelina Wautier as a great baroque painter; Digby Warde-Aldam on the modern-day history paintings of Kerry James Marshall; Lucy Davies on Edward George's reworking of Western art history; Christopher Turner on the rabid collecting of Albert Barnes; and Tim Smith-Laing on a magic realist novel about a Renaissance monster park | ||
| MARKET | Georgina Adam asks if connoisseurship is compatible with contemporary art; Emma Crichton-Miller finds bargains in the market for early Japanese porcelain; and Michael Delgado takes the temperature of London's most important event for Asian art | ||
| PLUS | Fatema Ahmed considers Tilda Swinton as a work of art; Hettie Judah recommends smoking as a subject for painters – but absolutely not as a pastime; Agnes Crawford delights in the frescoes of Annibale Carracci at the Palazzo Farnese in Rome; Matthew Sperling suggests it's time to move on from the Bloomsbury group; Edwin Heathcote admires the timeless Vienna interiors of Adolf Loos; Edward Behrens keeps his fingers crossed for the November auctions in New York; Sophie Barling visits London's clubland for the food and stays for the art; and Christina Makris tastes a rare whisky worth breaking the bank for | ||
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| HIGHLIGHTS FROM THE NEW ISSUE |
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| Portrait of a lady on fire |
| There can be no doubt: Michaelina Wautier is a great baroque artist, writes Luke Uglow |
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| Past its bloom? |
| Matthew Sperling suggests that it's time to move on from the Bloomsbury group |
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| Hammer time |
| Edward Behrens asks if the November auctions in New York will be a turning point |
| More from Apollo | ||
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